Steve Kimock, the protean improvisational guitarist whom Jorma Kaukonen (Jefferson Airplane, Hot Tuna) recently tabbed arguably one of the greatest guitarists alive, is pleased to announce a new series of concerts in June that will celebrate the release of two singles (the complete album will be released in the fall). This current phase of songwriting comes in the aftermath of his acoustic explorations in the album Last Danger of Frost. In the wake of Frost, he and the members of the band that toured behind it found themselves creatively inspired, and new material has been crystallizing and recorded at Bob Weirs TRI studios.
The first single is Sagan, which includes the voice of the visionary astrophysicist himself. It is written by Steves son, percussionist John Morgan Kimock. Variation, co-written by Steve and Leslie Mendelson, will be the second single.
Producer Dave Schools (Widespread Panic), said of Sagan that Its an exemplary and daring experiment that takes real musicians interacting, aided and abetted by modern day processes in electronic music. Its very 21st century, yet it never loses sight of five people sitting in a room in a circle interacting musically which is very rare. Variation, he said, is where Steve Kimock takes you around the world with his deft orchestration of pan global stringed instruments and Leslie Mendelsons vocals take you places. And again, its all done within the safety zone of five musicians in a circle playing music together.
KIMOCK will have the same personnel as toured behind Frost Steve, John Morgan, Leslie (multi-instrumentalist), and Bobby Vega (bass).
Expect beauty and fireworks.
Whether with all the living members of the Grateful Dead, his band Voodoo Dead, with Parliament/Funkadelic co-founder Bernie Worrell or his solo acoustic project Last Danger of Frost, Steve Kimock has proved himself a versatile master of improvisation for over four decades, in the process inspiring music fans with his transcendent guitar speak voiced through electric, acoustic, lap and pedal steel guitars. While one can say that his genre is rock, no one niche has ever confined him. Instead, through the years, hes explored various sounds and styles based on whats moved him at the time, whether its blues or jazz; funk or folk; psychedelic or boogie; gypsy or prog-rock; traditional American or world fusion.
Threaded through this expansive and highly nuanced musical landscape is Kimocks signature sound, the prodigious product of his ability to articulate crystal-clear tone, melody and emotion into intricately woven music crafted with technical brilliance. His passion and devotion to performing live is matchless, and his unparalleled ability to embrace and capture his audiences musically is the stuff of legend.
Kimock co-founded the jazz/rock band Zero in the 80s and KVHW in the 90s; since then, he has recorded and toured in various outfits under his own name. His collaborations with assorted band mates and groups have provided an everlasting wellspring of inspiration for the guitarist, and he has shared the stage with a seemingly endless array of international musical luminaries. After more than 40 years on stage, Kimock is more committed than ever to a jubilant spirit of musical diversity the same spirit that has fed his desire to pursue an authentic relationship with the guitar since the day he realized his calling.
Born in Bethlehem, Pennsylvania, in 1955, as a preteen Kimock spent plenty of time at the home of his aunt, Dorothy Siftar, a folk singer who played the Philadelphia Folk Festival with Pete Seeger and had an abundance of stringed and percussive instruments in her home. Around this time, Steves cousin Kenny returned from military service overseas and taught Kimock his first rock n roll licks on a beautiful Gold Top Les Paul (which, incidentally and decades later, Kimock now owns). It wasnt long until Kimock got his own guitar, a $10 acoustic that he began playing 12 hours a day, every day. It changed his life forever.
After playing in a series of high school bands, Kimock joined the Goodman Brothers Band, which first moved to northern California in 1974. Steves first home was a cabin in Marin, directly behind the Ali Akbar Khan School of Music. Every morning he woke to the sound of sarods and sitars, sparking his interest in the music of other cultures that colors his own compositions to this day.
Kimock fell in with the Bay Areas local music scene and began playing in a variety of outfits, including the salsa band The Underdogs (with flautist/saxophonist Martin Fierro). In 1979 he joined the short-lived Heart of Gold Band with former Grateful Dead members Keith and Donna Godchaux and drummer Greg Anton.
In 1984, Kimock and Anton co-founded Zero, an instrumental psychedelic jazz/rock/blues band that also included former Underdogs bandmate Fierro, bassist Bobby Vega, keyboardist Pete Sears (who was eventually succeeded by Chip Roland), and former Quicksilver Messenger Service guitarist John Cipollina. It was during the Zero era that Kimock would define his fluid style of melodious improvisation.
By 1992, Zero was regarded as one of the marquee Bay Area bands and architects of the infant jam band genre. The band began working with Grateful Dead lyricist Robert Hunter and added vocalist Judge Murphy before going on an extended hiatus in the late 90s. During their initial time together, Zero released five albums including 1987s debut Here Goes Nothin; 1990s Nothin Goes Here; 1991s live effort Live: Go Hear Nothin; the bands 1994 major label debut, the live album Chance in a Million; and 1997s self-titled studio album, along with hundreds of live recordings.
While still performing with Zero, Kimock began to explore new terrain with the looser, bluesier Steve Kimock & Friends, an ever-evolving project that continues to feature a cast of acclaimed singer- songwriters, Hammond B-3 players, rock guitarists and numerous other serious players Kimock has befriended along the way.
Kimock spent the end of the century with KVHW, a much lauded though short-lived quartet comprised of himself, Zero bassist Vega, drummer Alan Hertz, and former Frank Zappa sideman Ray White. KVHW toured nationally from January 1998 through December 1999, playing a repertoire that consisted of original compositions and songs from Kimocks previous bands, as well as a number of Frank Zappa covers.
In February 2000, KVHW morphed into the Steve Kimock Band, which featured Kimock and Vega (who was succeeded by Alphonso Johnson in 2001), along with a rotating crew of guitarists and drummers. The lineup solidified with drummer Rodney Holmes and guitarist Mitch Stein. In 2001, they released Live in Colorado, followed by the 2002 double live album, East Meets West (culled from shows in San Francisco and Japan); and in 2004, the double live album, Live in Colorado, Vol. II. In 2005, the Steve Kimock Band released the lauded studio album, Eudemonic and toured nationally, anchored by Kimock and Holmes with keyboardist Robert Walter (20th Congress, Greyboy Allstars) and bassist Reed Mathis (Jacob Fred Jazz Odyssey, Tea Leaf Green).
In 2009, he formed the upbeat, gospel-influenced, soul-rock band Steve Kimock Crazy Engine, which featured legendary Hammond B3 player Melvin Seals; Kimocks son, John Morgan Kimock, on drums. In 2010, Steve & John Kimock continued their collaboration for the 10th anniversary of the sold-out New York Guitar Festival, where they scored a silent film (Buster Keatons Cops), sharing the bill with Justin Vernon (Bon Iver).
Once touted by Jerry Garcia as his favorite unknown guitar player, Kimock has also performed as part of Bob Weirs Kingfish and toured in both 2007 and 2014 with RatDog, in addition to post-Grateful Dead ensembles including The Other Ones, Phil Lesh & Friends, and the Rhythm Devils featuring Mickey Hart and Bill Kreutzmann. The guitarist has recorded and toured with Bruce Hornsby and worked extensively with the late Merl Saunders. Additionally, he has shared the stage with The Allman Brothers, Angélique Kidjo, Bonnie Raitt, Buddy Miles, Derek Trucks, Elvin Bishop, George Porter Jr., Grace Potter, Grace Slick, Joe Satriani, Jorma Kaukonen & Hot Tuna, Keller Williams, Little Feat, Nicky Hopkins, Norton Buffalo, Papa John Creach, Peter Frampton, all members of Phish, Screamin Jay Hawkins, Branford Marsalis, Steve Winwood, Taj Mahal, Todd Rundgren and Warren Haynes, among many others.
While Kimocks curiosity and openness to the array of great musicians with whom he surrounds himself is nothing short of astonishing, the music he made with his brothers in Zero feels like a return to the comforts of home. In 2006, Kimock and Anton reunited Zero, touring until the death of Fierro in March 2008. In March 2011, the band reunited for the 20th anniversary of the Chance in a Million recording sessions at San Franciscos Great American Music Hall, as a benefit for Murphy, who was battling a grave illness. More than 30 years since forming, Zero carries on today, as the band plays select shows and benefit performances in the Bay Area.
In 2012, Kimock took the helm once again and hit the road with a new lineup, including Parliament Funkadelic/Talking Heads, Hall of Famer Bernie Worrell, drummer Wally Ingram, and bassist Andy Hess. The band played new original material while celebrating Kimocks rich catalog of music. Kimock released a digital free live EP of the band.
After taking some time away from his own band as part of Bob Weirs Ratdog from 2013 to 2014, Kimock followed with the return of a rollicking, revamped Steve Kimock & Friends, widely regarded as the most exciting iteration of Kimocks rock/dance band outfit since its inception. The ensemble featuring bassist Vega, Dead & Company keyboardist Jeff Chimenti, drummers Bill Vitt, Jay Lane, John Morgan Kimock, Wally Ingram, guitar ace Dan Lebo Lebowitz, and singer/multi-instrumentalist Leslie Mendelson, hit a joyous crescendo during the Deads 50th anniversary year, thrilling music lovers with great grooves and carrying on a musical legacy in a jubilant atmosphere. Kimock continues to elevate audiences worldwide with SK&F.
Though he still devotes countless hours to refining his craft, playing his instrument has never been enough for a man coined The Guitar Monk by Relix magazine. The result onstage is the culmination of Kimocks dedication to the technical intricacies of both guitars and amplifiers. Going all the way from the fundamentals of musical theory to the most scientific details of the sound-production process, there are few stones Kimock has yet to turn. Driving him forward is the knowledge that there is always more to discover that and the fact that he loves guitar too much to do anything else.